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The McCauleys lost their savings in that cluster. Where Non-Stop uses alcoholism as a plot-motivating character detail, The Commuter uses economic anxiety couched in the 2008 financial crisis.

Commuter full movie streaming how to#

The Commuter knows how to take advantage of its setting and distinguish itself from its predecessors in the process. Though, funny enough, watching Collet-Serra and Neeson lean back on what works for them works for us. If thereвЂ™s a gripe worth holding against the film itвЂ™s that Collet-Serra is already repeating his greatest hits with Neeson, lifting Non-StopвЂ™s вЂњsearch for the culpritвЂќ structure, the only difference being that in The Commuter the culprit isnвЂ™t actually guilty of a crime. But the challenge isnвЂ™t easy, or even non-fatal, and as Michael reaches into his bag of cop tricks to figure out the identity of the passenger, threats are made and bodies start piling up.

His reward: a hundred grand to ease the sting of his firing. Joanna, flirty at first and menacing not long after, challenges him to find an unknown passenger on the train-a stranger on the train, you might say-and slap a GPS locator on their bag before they pull into the last stop on the line. (You get the idea that this is how Neeson lives his life, too, pretending heвЂ™s merely a down-to-earth type and not at all a grizzled badass.) Then one day heвЂ™s unceremoniously let go by his employer, and after catching a beer with his old pal from the force, he gets on the train home and gets caught in the web of a woman named Joanna (Vera Farmiga). Really, heвЂ™s a veteran ex-cop who hops the commuter train into the city each day to work a thankless job hawking insurance, but he puts on an average Joe face in public, whether to his clients, to his family or to his fellow commuters. The Commuter rebounds from Run All NightвЂ™s hubris, fitting better alongside Unknown and 2014вЂ™s Non-Stop as a goofy, high-stakes-but-small-scale actioner wherein Neeson plays Michael McCauley, an average Joe tasked with unmasking a shadowy criminal conspiracy. Nothing lets the air out of a crowded theater like a self-serious potboiler, much less a self-serious potboiler needlessly wound into knots. The Commuter is their fourth team-up and a welcome return to their established actor-director dynamic following their last, 2015вЂ™s Run All Night, a well-meaning movie thatвЂ™s sorely mistaken about its own importance. NeesonвЂ™s action film credits are reliably unreliable, alternating between utter wastes of time and enjoyably macho fantasies, but heвЂ™s developed a groove with Jaume Collet-Serra ever since 2011вЂ™s Unknown.

The plain truth is that The Commuter kicks all kinds of ass.

вЂњLiam Neeson? On a train? Solving mysteries and punching people? Sweet!вЂќ At the same time, the industry knows how to hook a Neeson audience: If you habitually buy tickets for his old-manly action movies, youвЂ™re already in the bag for The Commuter, and if youвЂ™re in the bag for The Commuter, the synopsis either doesnвЂ™t matter or you threw a fist pump after reading it. Then call it something vague like The Commuter. You know weвЂ™re running out of action movies for Liam Neeson to chew through when the industry has to mash Strangers on a Train with Unstoppable, then mash that concoction with Murder on the Orient Express, then layer the resultant amalgam over a standard Neeson, Action Starв„ў plot.